Jozef van Wissem, I have found, is an interesting character. He composes soundtracks for films, collaborates with directors, and he makes beautiful lute tunes, all while looking like a thrasher pilgrim.
“Behold! I Make All Things New” has a play time of 51 minutes and 41 seconds, and every single moment of it is delicious.
In the past van Wissem has worked with film director, Jim Jarmusch to create a few soundtracks and album projects. This album, however, is a solo project filled with the plucks, strums, and chimes that could only be made by van Wissem’s delicate fingers.
To start out, the opening of this album is a little darker than it ends, which I love. A transition from dark to light, especially in instrumental albums, allows me to “take shotgun” on the musical journey with the artist.
The jump from the first track into my favorite track of the album, “What Hearts Must Bleed, What Tears Must Fall”, creates that feeling of transitioning from dark to light. The slow opening of the album creeps and eventually pounces into strong, high notes filled with positivity and light. I know this track is lengthy (13 minutes and 41 seconds), but the gaps of silence between some of the sections give my ears a moment to reflect and soak in the entirety of the song.
More instruments create more layers as the album crawls onward. Unfortunately, I found the middle section of the album to be my least favorite section. The third and fifth tracks slip by and are forgettable, but with “A New Earth” van Wissem regains my attention with faster strikes against his instrument. This track elevates itself from the rest of the album with how short, fast and upbeat it is.
A lot of what I appreciate about this album is how well everything fits together. I know I lose myself in the middle section, but I can put this album on and completely immerse myself in everything that is happening.
Another piece of this album that I enjoy is the background drone sounds in “Your Flesh Will Rise In Glory On The Day Of The Future Resurrection”. The whirring of the continuous reverb in the background of this track sits me down at such a strange place. I can’t really place myself in the world when I listen to this track. I do wish he utilized that background noise throughout more of the album in different styles, because I think it helped bring out the power of his normal plucking.
Through the strengths and weaknesses of “Behold! I Make All Things New”, I gained access to a new appreciation for instrumental artists and some good songs to sit and think to. This album also helps me to know where solo instrumentalists can exist in the music industry today. They have their niche carved out for them, but more artists like van Wissem need to reach out and grab the attention of their genre listeners.